Preview

Six paintings created from life and memory,

with a few words to follow.

Surrender, oil on wood, 40 x 30 in.

A tree grows low to the ground, its form shaped by a struggle for light. Beside it lie the remains of another, fed through a wood chipper.

Shelter, oil on wood, 48 x 36 in.

A stand of trees and a shelter made of fallen branches evoke a cathedral, echoing Antoni Gaudí’s belief that “originality consists in returning to the origin.”

Celadon Sink, oil on wood, 24 x 18 in.

Inspired by Wayne Thiebaud’s pinball paintings, this tilted plane invites a sensory experience. At its heart, an abalone shell rests in radiant harmony.

The Glass Ledge, oil on panel, 36 x 24 in.

Drawn by pearlescent tones, I arranged a composition recalling Duchamp’s Large Glass and Fountain. It balances on a flush lever, while Picasso’s dove lends a fragile accord.

Reading in the Dark, oil on panel, 18 x 21 in.

A reader sits in a space charged with transformation.

Le Petit Prince, oil on linen, 24 x 30 in.

An artist’s confident pose holds the weight of his surroundings. During the process, I learned his favorite childhood story was Le Petit Prince—a resonance I later came to recognize in the painting.

Work in Focus
I set my easel in places I know, among familiar people, with the intention of looking closely and capturing what’s often taken for granted. Each composition is distilled; every mark made to serve the whole. The work is meant to be accessible, but for those who linger, deeper meanings may emerge. For me, painting is an act of reverence—and an expression of what connects us.

Currently, I am developing a series tentatively titled ‘Sacred Landscapes,’ which builds upon my ongoing exploration of environment and memory through painting.

To learn about exhibitions, collections, and my full artist statement, click below to download my CV: